By Jody Fisher
A success with academics and scholars alike, this nice number of workouts and technical stories breaks up the tedium of doing the usual regimen on a daily basis. contains day-by-day warm-ups, classes on correct- and left-hand approach, and extra.
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Extra info for 30-days Guitar Workout: An Exercise Plan For Guitarists
2" I refer to Kreutzer because I find his etudes so engrossingly musical, so far removed from the industry which alone can only produce mediocrity. And as Hazlitt wrote, mediocrity in art is not worth the trouble of industry. Kreutzer No. 12, is a wonderful bowing and intonation study, and musically it is fascinating because of the harmonic progressions (Ex. 6). Have the student play the etude at the frog, isolating the fingers in their movement. This makes for tremendous development of wrist motion.
On the other hand, so far as recording is concerned, how often do we listen to records, of unaccompanied string music especially, which are glamorized as only our contemporary engineers can glamorize, and sound as if the performance were in the Carlsbad Caverns or the Washington Cathedral. After which, we are so sadly let down when we encounter a live realization and what seems to be an unbecoming, insipid, scrannel sound. Returning to my early experiences with taping, the intonation problems showed up very acutely.
He had no imagination, no sensitivity, no refinement in his nature, and apparently he had never tried to develop these traits. It can disturb a conscientious teacher greatly when he cannot bring a student up to the standards, technical or emotional, that he requires. But we must settle for the fact that many students will never achieve any significant ability. The teacher must do the very best he can with the material at hand and satisfy his conscience in this way. He may now and again get a really tremendous talent, and then he can rejoice.