By James Land Jones
The author's critical objective is to teach that the poetry of Keats and Yeats is proficient by way of a suite of assumptions, a method of apprehension, which marks it as a undeniable type of poetry: Romantic poetry characterised particularly by means of the weather of mythic pondering analyzed by way of Cassirer and Eliade.
Introduction: The reason for Myth
Chapter One: Soul Making
I "Curious Conscience"
II "My robust id, My actual Self
III "A Greeting of the Spirit"
Chapter : solidarity of Being
I "Energy" and "Essence"
II "Beauty in All Things"
Chapter 3: The colossal Idea
I "From Feathers to Iron"
II "An Interchange of Favors"
III "Time Annihilate"
IV "The Finer Tone"
Chapter 4: the good Moment
I "There the entire Gyres Converge in One"
II "Fellowship Divine"
Chapter 5: Melancholy's Sovran Shrine
I "The shorelines of Memory"
II the 2 Hyperions
Conclusion: Adam's Dream
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Additional resources for Adam's Dream: Mythic Consciousness in Keats and Yeats
It is through the filter of mythology that Schelling develops his ideas on art, on the assumption that the mythical ‘gods’—understood as ideas that are the subject of real contemplation—play the same role in art as ideas per se do in philosophical speculation. Every form includes within itself an ‘integral divineness’. Mythic imagination blends the absolute with the particular and sees in the single part all the divinity of the whole: Mythology is a necessary condition and the raw material of every art.
In the spirit of the times, he argues that magic is the product of erroneous thinking by primitive man. Sacrifices, totemism, and seasonal cults are derived almost entirely from magic. It is also true that Frazer acknowledges the positive role magic plays in reinforcing existing power relationships, upholding the status quo in marriage and in property relations, as well as generally consolidating the social order. Even if rather sketchily presented and based on an older, rationalistic interpretation of life, his ideas are precursors to the work of others who were to make significant contributions to understanding myth, especially Malinowski.
Everything in the universe, in other words, belongs to the tribe. The characteristics of totemic classification mirror the tribal collective. Totemism is a logical system sui generis that sustains itself by logical oppositions—for example, the sacred/profane antinomy—based on a social sensibility to affinities and differences. Different totems are attributed strongly contrasting characteristics—for example, east wind/west wind. Durkheim’s ideas on the role of metaphors and symbols in religious and mythical thinking are also important.